December 03, 2000
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D-Dot, who served as an executive producer on Ma$e‘s Harlem World album, has given credit to The Neptunes for bringing a skillset to the project his Hitmen collective didn’t possess.
The Bad Boy production maestro (real name Deric Angelettie) joined Torae and Bonsu Thompson for an episode of Hard2Earn during which he reflected on crafting Ma$e’s 1997 debut album and showed love to Songwriters Hall of Famers Pharrell and Chad Hugo.
“Some songs you hear on here, for example, the Pharrell song [‘Lookin’ at Me’] they walked in with that joint,” D-Dot said. “Pharrell walked in and Chad and they popped that in and by the time maybe they got to number two or three we was in there like, ‘Oh shit!’ But it was them on it. It was them. I was like, ‘These dudes is fire!
“We already had some run-ins with them. Prior to Ma$e, they was already on with Total, they had already did the shit with Dr. Dre, so by the time they came to us, these dudes had — they were The Hitmen. But just two of them, they had the beats, they had the hooks, they had the instrumentation and they had a sound that was like, ‘We need that! Thank you.'”
D-Dot explained that his A&R tendencies kicked in when looking to add a scoop of The Neptunes’ greatness to the equation, which sometimes resulted in Diddy wanting to hop on a record.
“So as an A&R my ear is listening to what The Hitmen don’t do,” he continued. “So whatever we don’t do, I’m filling them gaps because there’s people that like this type shit. So let’s grab that even though and you know once we grab it, your man [Diddy] hears it and says, ‘I need to be on that!'”
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